《总路线》讲述了什么样的故事？
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
1、《总路线》是哪一年上映的？
《总路线》是谢尔盖·爱森斯坦,格里高利·亚历山德罗夫于1929年上映的一部经典剧情片。该片开创其它当时剧情片的先河，《总路线》上映时全国票房稳前三，创下当年的纪录。当时Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev都成为了最佳主角，Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev以实力派演技和突出形象，奠定在其它影坛头号地位。Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev饰演的角色多年后仍为大众所模仿。谢尔盖·爱森斯坦,格里高利·亚历山德罗夫之前曾被人们怀疑其能力，而《总路线》却奠定谢尔盖·爱森斯坦,格里高利·亚历山德罗夫剧情片别样风格。《总路线》首映时曾获海内外剧情片和媒体的一致好评，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀剧情片齐名。
2、被称为剧情片的开先河之作的《总路线》，是谢尔盖·爱森斯坦,格里高利·亚历山德罗夫最好的代表作吗?
从谢尔盖·爱森斯坦,格里高利·亚历山德罗夫斩获剧情片最佳导演 我就觉得这部《总路线》是他最好的剧情片。虽然谢尔盖·爱森斯坦,格里高利·亚历山德罗夫后来还拍出来了评价特别好的剧情片，但是《总路线》是他剧情片的代表作品。
3、《总路线》究竟是何原因，让它在影史留名？
提起其它剧情片，人们就肯定会说出《总路线》的名字。这部由谢尔盖·爱森斯坦,格里高利·亚历山德罗夫导演，Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev主演的《总路线》，之所以称其为奇迹，是因为这部作品在强敌环伺的局面下异军突起，以黑马之态杀出重围，取得了当时所有人都未曾预料到的成功。为何会这么说，我想，就连谢尔盖·爱森斯坦,格里高利·亚历山德罗夫导演和Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev，都没想到这部剧情片会得到这样好的反响。谢尔盖·爱森斯坦,格里高利·亚历山德罗夫先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《总路线》开拍之前，Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev已经有4年无戏可拍，而Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《总路线》片中角色的心路历程与动人故事，何尝不是主创们现实境遇的银幕投射？正是带着这份不甘与倔强，他们倾尽才华与热忱，最终共同铸就了这部传世经典剧情片，也成就了他们自己！
4、如何评价《总路线》?
《总路线》口碑非常好深受广大观众喜爱，《总路线》一经播放引来无数人赞叹，不仅Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev演的好而且该剧情片故事情节也非常连贯，小小影视（www.impulsivecode.com）观看起来特别流畅同时还能扣人心弦，虽然目前《总路线》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev，她在该剧情片中的演技可圈可点，受到Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev演的好而且该剧情片迷的认可。
5、《总路线》剧情片的主要内容
《总路线》是一部剧情片剧情片，由导演：谢尔盖·爱森斯坦,格里高利·亚历山德罗夫执导，主演：Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev，
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
6、《总路线》是谢尔盖·爱森斯坦,格里高利·亚历山德罗夫导演的一部超级经典的剧情其它片，该剧讲述了：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocr，想看更多的最新影视作品，请收藏我们的网站：www.impulsivecode.com
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
剧情简介
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