《红花之歌》讲述了什么样的故事？
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
1、《红花之歌》是哪一年上映的？
《红花之歌》是莫里兹·斯蒂勒于1919年上映的一部经典剧情片。该片开创其它当时剧情片的先河，《红花之歌》上映时全国票房稳前三，创下当年的纪录。当时Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼都成为了最佳主角，Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼以实力派演技和突出形象，奠定在其它影坛头号地位。Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼饰演的角色多年后仍为大众所模仿。莫里兹·斯蒂勒之前曾被人们怀疑其能力，而《红花之歌》却奠定莫里兹·斯蒂勒剧情片别样风格。《红花之歌》首映时曾获海内外剧情片和媒体的一致好评，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀剧情片齐名。
2、被称为剧情片的开先河之作的《红花之歌》，是莫里兹·斯蒂勒最好的代表作吗?
从莫里兹·斯蒂勒斩获剧情片最佳导演 我就觉得这部《红花之歌》是他最好的剧情片。虽然莫里兹·斯蒂勒后来还拍出来了评价特别好的剧情片，但是《红花之歌》是他剧情片的代表作品。
3、《红花之歌》究竟是何原因，让它在影史留名？
提起其它剧情片，人们就肯定会说出《红花之歌》的名字。这部由莫里兹·斯蒂勒导演，Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼主演的《红花之歌》，之所以称其为奇迹，是因为这部作品在强敌环伺的局面下异军突起，以黑马之态杀出重围，取得了当时所有人都未曾预料到的成功。为何会这么说，我想，就连莫里兹·斯蒂勒导演和Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼，都没想到这部剧情片会得到这样好的反响。莫里兹·斯蒂勒先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《红花之歌》开拍之前，Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼已经有4年无戏可拍，而Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《红花之歌》片中角色的心路历程与动人故事，何尝不是主创们现实境遇的银幕投射？正是带着这份不甘与倔强，他们倾尽才华与热忱，最终共同铸就了这部传世经典剧情片，也成就了他们自己！
4、如何评价《红花之歌》?
《红花之歌》口碑非常好深受广大观众喜爱，《红花之歌》一经播放引来无数人赞叹，不仅Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼演的好而且该剧情片故事情节也非常连贯，小小影视（www.impulsivecode.com）观看起来特别流畅同时还能扣人心弦，虽然目前《红花之歌》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼，她在该剧情片中的演技可圈可点，受到Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼演的好而且该剧情片迷的认可。
5、《红花之歌》剧情片的主要内容
《红花之歌》是一部剧情片剧情片，由导演：莫里兹·斯蒂勒执导，主演：Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼，
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
6、《红花之歌》是莫里兹·斯蒂勒导演的一部超级经典的剧情其它片，该剧讲述了：“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent ，想看更多的最新影视作品，请收藏我们的网站：www.impulsivecode.com
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
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