《冰刀》讲述了什么样的故事？
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
1、《冰刀》是哪一年上映的？
《冰刀》是翁贝托·伦齐于1972年上映的一部经典恐怖片。该片开创其它当时恐怖片的先河，《冰刀》上映时全国票房稳前三，创下当年的纪录。当时卡罗尔·贝克,艾伦·斯科特都成为了最佳主角，卡罗尔·贝克,艾伦·斯科特以实力派演技和突出形象，奠定在其它影坛头号地位。卡罗尔·贝克,艾伦·斯科特饰演的角色多年后仍为大众所模仿。翁贝托·伦齐之前曾被人们怀疑其能力，而《冰刀》却奠定翁贝托·伦齐恐怖片别样风格。《冰刀》首映时曾获海内外恐怖片和媒体的一致好评，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀恐怖片齐名。
2、被称为恐怖片的开先河之作的《冰刀》，是翁贝托·伦齐最好的代表作吗?
从翁贝托·伦齐斩获恐怖片最佳导演 我就觉得这部《冰刀》是他最好的恐怖片。虽然翁贝托·伦齐后来还拍出来了评价特别好的恐怖片，但是《冰刀》是他恐怖片的代表作品。
3、《冰刀》究竟是何原因，让它在影史留名？
提起其它恐怖片，人们就肯定会说出《冰刀》的名字。这部由翁贝托·伦齐导演，卡罗尔·贝克,艾伦·斯科特主演的《冰刀》，之所以称其为奇迹，是因为这部作品在强敌环伺的局面下异军突起，以黑马之态杀出重围，取得了当时所有人都未曾预料到的成功。为何会这么说，我想，就连翁贝托·伦齐导演和卡罗尔·贝克,艾伦·斯科特，都没想到这部恐怖片会得到这样好的反响。翁贝托·伦齐先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《冰刀》开拍之前，卡罗尔·贝克,艾伦·斯科特已经有4年无戏可拍，而卡罗尔·贝克,艾伦·斯科特主演的恐怖片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在恐怖片中投入的热情，是我们难以想象的，其实《冰刀》片中角色的心路历程与动人故事，何尝不是主创们现实境遇的银幕投射？正是带着这份不甘与倔强，他们倾尽才华与热忱，最终共同铸就了这部传世经典恐怖片，也成就了他们自己！
4、如何评价《冰刀》?
《冰刀》口碑非常好深受广大观众喜爱，《冰刀》一经播放引来无数人赞叹，不仅卡罗尔·贝克,艾伦·斯科特演的好而且该恐怖片故事情节也非常连贯，小小影视（www.impulsivecode.com）观看起来特别流畅同时还能扣人心弦，虽然目前《冰刀》收视率一般但是该片目前受欢迎程度已经名列前茅。该恐怖片主演卡罗尔·贝克,艾伦·斯科特，她在该恐怖片中的演技可圈可点，受到卡罗尔·贝克,艾伦·斯科特演的好而且该恐怖片迷的认可。
5、《冰刀》恐怖片的主要内容
《冰刀》是一部恐怖片恐怖片，由导演：翁贝托·伦齐执导，主演：卡罗尔·贝克,艾伦·斯科特，
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
6、《冰刀》是翁贝托·伦齐导演的一部超级经典的恐怖其它片，该剧讲述了：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also，想看更多的最新影视作品，请收藏我们的网站：www.impulsivecode.com
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
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